Time Waster

1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
kamijimoe
ins0mnia-an0nym0us-au

since y’all didn’t respond to my well thought out post. have some memes calling y’all out, as well as a link to my other well thought out and written post. i’m tired of seeing people complain about their dash being dead, when they only like shit. reblog or shut up - LINK

for reference -

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oasisofpassion

notes missed the point entirely

chaotic-queer-disaster

to add: lots of users who migrated from, like, twitter or tiktok think reblogs are reposts–THEY’RE NOT THE SAME THING. Reblogging is good. the person who posted it still gets notified for all the notes and still gets credit for everything; now their work is just spread!

LIKES DO NOTHING. They’re nice, and it’s good to know someone likes your work, but… likes. do. nothing.

slashpalooza

👆👆👆👆🙌🙌🙌

lucia-safuriajin

I never thought about it, now I see the point

technologyvoid

F I N A L L Y

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moldy-mold
griseldajane

Glaze is out!

Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

I just learned about this. It's in Beta. Please read all the information before using.


1/ This might be the most important oil painting I’ve made:  Musa Victoriosa  The first painting released to the world that utilizes Glaze, a protective tech against unethical AI/ML models, developed by the @UChicago team led by @ravenben. App out now 👇 https://t.co/cNIXNDHMBy pic.twitter.com/Y1MqVK7yvZ  — Karla Ortiz 🐀 (@kortizart) March 15, 2023ALT
digitaldiscipline

Art thieves already hate it:

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fierceawakening

Dude, if you're stealing, you deserve to have the data poisoned. Because you could have asked and you didn't.

spooky-octagon

The link is only in the original post inside an image, not as text, so here it is as plain text: https://glaze.cs.uchicago.edu/

and the paper about how it works: https://arxiv.org/abs/2302.04222

esoanem

As links (because some of us are on mobile and can't easily copy and paste to our browser), those are:

https://glaze.cs.uchicago.edu

&

sliceosunshine

A bit of a TLDR for some questions I saw in the notes:

The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

Glaze is designed to protect artists’ STYLE--which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists--small or big).

It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing--it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers ---> You and NOT Team servers <--->You) One-way data street.

Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/

locus-p0cus

reblogging this every fucking time it comes across my dash

soul-siren
soul-siren

image

I started this 2 yrs ago and am just now finishing it... Honestly, it's because I really struggled with drawing Estelle. I would leave it, frustrated, for long periods of time, and eventually it became years.

This is part of a bigger thing of my favorite Tales of characters and the ones I play.

I've drawn Symphonia plenty, so first is Vesperia.

Rita is super fun to play, and I love her and Estelle.


I love Rita's spell speed up, "Blah Blah Blah, Magic" And while I was very bad at executing it, flying and raining spells down on enemies was stupid fun.

When the group would split up and hang around, I always knew if Rita or Estelle was somewhere, the other was not far away. Like the one time Rita was standing outside a building and I just knew Estelle was in it. Loved it.

digibamonfan
sqwick

Anime studios need to strike next

sqwick

Down with seasonal anime down with overconsumption down with every series regardless of how complex needing to be boiled down to fit into 12 episodes

sqwick

there’s just too many shows

sqwick

too many shows and they’re coming out at such an unprecedented rate that we can’t even fully appreciate them. and I KNOW that people are slaving away in unethical work conditions to make them, all so that nobody can even remember them, no matter how lovingly crafted or beautiful they really are